The large red sign with white letters, placed prominently just to the right, positioned almost as a challenge to this dump and its famous denizens and inmates.
BALABANIS TAILOR BY ALEXANDER J MOTYL 34THPARALLEL MAGAZINE ISSUE 13
The names on the plaques—
embossed, in bronze, and glossy,
and placed prominently to the left
and to the right of the entrance,
and declaring proudly to the world or,
in any case, to anyone who can
afford Hotel Chelsea room rates,
that they were literary personae,
important men of letters,
who cut texts
and tailored prose
and poetry
and songs
and therefore deserve our accolades
and undying admiration—
pale in comparison to the
large red sign with white letters,
placed prominently just to the right,
positioned almost as a challenge to this dump
and its famous denizens
and inmates
and declaring no less proudly that
BALABANIS TAILOR used to be here,
cutting cloth
and measuring lengths,
while limping on a gimpy leg
and speaking broken English
and telling his thin-haired wife in mumbled Greek
to get the jacket from the rack
and making the world a much safer place
for spare tires, bad postures,
and the belly laughs behind words.